John Donne, Meditation XVII
Nobody delivers the rhetoric of ‘our island story’ better
than David Cameron. Its
heroes are many and varied: the signatories of the Magna Carta; William
Shakespeare and John Milton, whose writings contributed to a rejuvenation of
native identity and culture; Admiral Nelson, Winston Churchill, and all those
captains of industry that forged the industrial revolution. All this achieved
by a small island nation, and all because we ploughed an independent furrow, above
petty European squabbles. However, as a new year dawns, the Prime Minister is
sparing no effort to secure the concessions from his European counterparts that
will enable him to campaign for Britain to remain in the European Union in
2016. Why is Cameron, an avowed patriot but otherwise a politician with few
discernible ideological principles, going to such lengths to secure a deal that
will keep Britain in the EU?
There are a couple of different explanations available. For
those who wish to leave, Cameron’s approach looks treacherous; like so many
generations of politicians before him, he appears to have been ‘bought’ by
Brussels, and is now desperately attempting to deceive the British people into
voting to remain in the EU, against their better judgement. Polls certainly show
significant hostility in Britain to certain aspects of the European project, especially
unrestricted migration and perceived interference with our national laws and
customs. Nevertheless, I think our attitudes to Europe are more complex. The
majority of people seem to (grudgingly) accept that British interests demand close
economic and political ties with our near neighbours. From this perspective,
David Cameron can be seen as providing a useful public service: the illusion of
renegotiation will provide reassurance on the issues that people are concerned
about, providing them with an excuse to be able to vote with their heads rather
than their hearts.
So why do we need the excuse? The answer is that we are
still in love with a Sinatra-like sense of our own exceptionalism. The story
goes back a long way: 950 years ago this month, the last Anglo-Saxon king, Harold
Godwinson, was crowned: his doomed but heroic defence against the Norman invasion
ten months later is still a source of inspiration for nationalists. Since then,
other moments of defiant resistance have joined the historical narrative that
celebrates England’s independence and self-reliance. If the narrative could be
summed it an image, it would surely be that of Elizabeth I’s Armada portrait of
1588. As the battle rages around her, the queen sits confidently and defiantly
alone, vindicated by the victory of the English fleet over the Spanish
invaders, her finger pointing towards colonial ambitions to the New World.
The Armada Portrait of Queen Elizabeth I, c.1588. George Gower. Woburn Abbey, Bedfordshire, UK. |
Of course, all this may change in 2016. Expect a good deal of anguished wrestling between head and heart in the run-up to the referendum, and fluctuating opinion polls as a result. And expect the British people to decide, once again, that while Europe may be a problem, she is our problem too.
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